‘The Shield’ Being Remastered For 4K Widescreen Release
By Russ Fischer/Aug. 28, 2015 4:30 pm EST
The latest series to get a remaster is The Shield, which originally debuted in 2002 with Michael Chiklis starring as the complex character Vic Mackey, and which is often considered one of the best shows of the past couple decades.
But there’s good news! According to series creator Shawn Ryan, the new 4K transfer “really looks spectacular,” meaning this is probably going to be more like the updated masters for The Wire than the debacle of Buffy.
The only downside here is that we’ll have to wait until 2017 for the new masters, but it’s good to know that these new masters will be overseen by Ryan, and are not going to scrub away the grit that was an integral part of the show’s aesthetic. The new transfers will hit both Blu-ray and streaming services.
Ryan tweeted a string of info about the new transfers, so let’s go right to him for more detail:
— Shawn Ryan (@ShawnRyanTV) August 28, 2015
I was dubious going in since the gritty, grainy look of the show is so essential to its impact. But the tests really won me over.
Since we filmed on 16mm film and not digitally, Shield is an ideal candidate for this. Plus we always filmed for widescreen safe.
This will be a big project and will take some time. Current plan is to have all complete by 15th Anniversary of pilot – March, 2017.
I will personally oversee and approve the work on each episode and make sure that the quality is what it needs to be.
The tests showed that in 4K the gritty look could be maintained while updating it for a 2015 audience. It really looks spectacular.
This conversion will allow for the release of Blu-Ray DVDs as well as comply with most streaming sites that will soon be all 4K.
I pushed hard for this and want to thank everyone at Sony and Fox, especially Steve Mosko for making this happen.
I’ve always viewed The Shield as a legacy show and even when we were making it I obsessed with how it would be viewed in 10-15 years.
This 4K conversion of The Shield will allow it to live on in the digital age and I couldn’t be more excited.
I was initially dubious about the new masters of The Wire, which was always originally presented in a 4:3 format. I’ve been watching the series lately through those new masters, however, and it’s only rarely that I find myself thinking that a shot feels unnaturally constrained, or that something is really missing.
What Ryan says above, about shooting the film to be widescreen safe, was the process on the latter part of The Wire, too, and that ensures that there’s plenty of material to fill the widescreen frame in the new masters, and that the composition of each shot won’t be thrown way off balance by the new look.
The Shield ran from 2002 to 2008.
