This Week In Trailers: The Preppie Connection, Departure, My King, The First Monday In May, Ukraine Is Not A Brothel
By Christopher Stipp/Feb. 28, 2016 9:00 am EST
My love knows no bounds.
I mean, just how French is this plot? From the movie’s description:
Why did they love each other? Who is this man that she loved so deeply?
Tony is admitted to a rehabilitation center after a serious skiing accident. Dependent on the medical staff and pain relievers, she takes time to look back on her turbulent relationship with Georgio.
Director Maïwenn takes what seems like a fairly basic set up and parlayed it into 2 Cannes nominations last year in this, the latest Vincent Cassel showcase. What you have on display needs no words, no goading, no artificial manufacturing of a moment, because what we’re offered here just feels pure. It’s a relationship that is allowed to take its ups and downs before we get to the utterly devastating admission by Cassel’s wife that she doesn’t know the man she’s been married to for years upon years. Again, this shouldn’t be anything novel but the direction and the use of Son Lux’ “Easy” imbues every second like the memory of a family that was conceived and then torn apart. I’m absolutely in on all accounts.
Departure Trailer
Impact.
What director Andrew Steggall does here is take us down a very sad, emotive, path. Divorcing parents, mental instability, violence, these are are all on display in a trailer that feels effective on multiple levels. It’s atmospheric yet accessible, sad but hopeful, there are contradictory moments that would usually make for some grim time at the theater but I get the sense that this is but a small movie that wants to say something. Removed from the trappings of what you have to have in situations like this I love that we’re just allowed to eavesdrop on the moments that are shared.
The Preppie Connection Trailer
Taking some time off.
I’m always fascinated by filmmakers who seem to take a long absence only to come roaring back like no time has passed. Director Joseph Castelo, who last directed 2005’s The War Within, which garnered some nice praise from Roger Ebert back in the day. The subject matter here isn’t as dire as radicalization and terrorism but what makes this such an interesting yarn is how it takes the notion of a poor pauper being allowed into a school beyond their means, like Scent of a Woman, and turns it slightly on its head so instead of Charlie Simms just meekly going through life he’s now selling and dealing blow to his classmates. The net effect, then, is something different, something interesting and the trailer keeps things humming without giving too much away and leaving a little to the imagination.
The First Monday in May Trailer
Before you look away, recognize the talent.
Ukraine Is Not A Brothel Trailer
I get it. It’s tough to stand up for what you believe is right if you’re surrounded by forces that would just as soon subjugate you before it would allow you to express your thoughts in an open forum.
Extreme situations leading to extreme measures, all of that kind of thing, is on full display here. It’s rough but it’s not hard to make the connection between women using any means necessary, short of self-immolation in the town square, to get attention. The latter would certainly be a bold tactic but when you see women being dragged through the streets it does make you think about how even though we’re struggling with so many other racial divides in the world that we can’t seem to get our S together when it comes to bridging the gap between men and women in highly patriarchal societies. Sobering. And director Kitty Green seems to have a front row perspective which will only bring the argument closer to the viewer.
Nota bene: If you have any suggestions of trailers to possibly be included in this column, even have a trailer of your own to pitch, please let me know by sending me a note at Christopher_Stipp@yahoo.com or look me up via Twitter at @Stipp
In case you missed them, here are the other trailers we covered at /Film this week:
